Thursday 30 November 2023

The Battle of Cacares

 At least I think that's how you spell it. Whilst here has been no wargaming content on the blog for a while, there has been plenty going on in the background. Over the last three weeks we have been playing out the Battle of Cacares, or possibly the battle of a place which has a name that looks a bit like that. I trust that James will write it up fully in a blog post heavily laden with photographs, but here's a few of my thoughts with only one picture, and that one a tad arcane.

Wellington, having captured Madrid, immediately abandoned it and pressed on to confront Soult, taking advantage of a chunk of the latter's forces being holed up in Badajoz with a Spanish army camped outside.  My strategy, for it is I, is based on an assumption that the underlying purpose of the campaign is to provide us with opportunities to play with toy soldiers, and I therefore seek to bring the enemy to battle if the opportunity arises. Reading between the lines, I suspect that my fellow players feel the same way.

The first evening mostly involved manoeuvre by the Anglo-Portuguese while the French just sat there. I had been thinking for some time that the skirmisher rules were too advantageous to the British Light Division and had in a previous game adopted a particular approach aimed at exploiting what I thought was a loophole, thereby encountering much derision from the others, who didn't agree at all. I stuck with it however and committed much of the initiative which I gained from the draw of dominos to an elaborately choreographed advance by the Lights on my centre right which caused no French casualties and got us absolutely nowhere. Somewhat more was achieved by the cavalry. Most of the French cavalry was on their left, and not wanting this on the flank of my advancing infantry I sent my cavalry to see them off, which they did, ending the night poised to force the French infantry into square. On my left the only action was the playing of an event card by Mark allowing him to carry out a prebattle artillery bombardment. This made such a mess of the 3rd division that they played no further part in the game.

I had thought that the French, who started with more units on the table than the British, would attack on their right and my plan was to bring my reserves on to my extreme left and get behind them. No such attack having been forthcoming I brought the reserves on anyway at the beginning of the second evening and moved forwards. This second evening was marked by a British inability to cause any casualties in combat or indeed to throw anything worthwhile in defence either. This was despite no longer being encumbered with the by now abandoned Epictetus grand theory of how to use Napoleonic light infantry. Far from forcing the French infantry into square my cavalry was blown away by musket fire and the entire division became 'spent'. In fact the French switched their remaining cavalry unit to their left flank, with the clear - if ambitious - idea of seizing the village on the Allies baseline and gaining a cheesy victory that way. The evening ended with the British infantry with charge distance across the whole of the French defensive line.

On the third evening British luck with the dice changed and weight of numbers and, probably more importantly, the quality of their troops broke the French line close to the end of the fourth turn of the allowed five. Thankfully for the credibility of the morale system the French do-or-die cavalry raid, er, died. Permanent losses for campaign purposes were quite high, more so for the losers. The following photo makes clear the method of establishing those casualties.



OK, I admit that it doesn't make anything clear, especially to me. Still, James knows what he's doing, and he says I'm currently leading the campaign scoring track, so all is well.

Saturday 25 November 2023

The Barber of Bradford

 And so to the opera. The last few days have seen the inaugural Bradford Opera Festival, the centrepiece of which was a semi-staged performance of the Barber of Seville, transported to twentieth century Bradford (the sixties perhaps) and with the libretto translated into 'proper Yorkshire'. Naturally, your bloggist was there. Dealing with the last point first, I couldn't help thinking that were I, Heaven forfend, a Yorkshireman then I would have felt rather patronised. However, the packed audience at St Georges Hall, the majority of whom were presumably from God's own county, rather lapped it up. 


I very much enjoyed it: fine singing combined with highly energetic performances combined to easily compensate for the lack of the sort of production values one is more used to. I must, in particular, praise Oscar Castellino who shone in the title role. He has sung with major companies, although I don't think I've ever seen him before. I think I would have remembered an artist whose biography in the programme starts "He was born in a car on a street in Mumbai".

The creators are planning to move on next year to the 'sequel' i.e. Mozart's 'Marriage of Figaro'. My main advice to them would be to get some side title displays in so we can get the full benefit of the dialect and the swearing. Oh, and lose the fourth act.




Sunday 19 November 2023

There ain't no goodhats...

 An intermittently recurring feature on the blog has been bands I wish I'd seen forty or fifty years ago, didn't, but now have. Latest to join this illustrious list is Wreckless Eric, a name he spent decades trying to avoid, but has now reclaimed. It was worth the wait:


He was supporting Dr Feelgood, who I probably would have gone to see anyway. The issue of whether I'd ever seen the original line up has now been resolved (although I can still remember absolutely nothing of the event) and this latest gig turned out to be 48 years all but one day since that previous occasion. That, I think is the longest period between my successive attendance at gigs of the same band, always assuming that you count them as being the same band. This lot are a bit of an odd mixture between being a proper band (they released an album of new material last year) and a tribute act (they play all the old favourites), but however you classify them they are bloody good and well worth seeing. Not, though as good as Wilko Johnson, Lee Brilleaux, John B. Sparkes and The Big Figure, so here they are:


Someone else who I've seen live this week is Tom Robinson, who I last saw in either late 1977 or early 1978, so not quite as big a gap. He was also excellent and extremely engaging; his anecdotes being almost as good as his music. I particularly liked the one about the time the Sunday People described him as 'Britain's no. 1 gay' when they 'outed' him for being in a relationship with a woman. Wreckless Eric's best anecdote was about Kevin Coyne, but he was perhaps topped by Maddie Prior of Steeleye Span - also seen by your bloggist with the last seven days; I am ceaseless in my search for material with which to entertain you - whose story concerned both Peter Sellers and his ukulele.

Tuesday 14 November 2023

You can't keep a posh boy down

 


"Ever failed. No matter. Try again. Fail again. Fail better. First the body. No. First the place. No. First both. Now either. Now the other. Sick of the either try the other. Sick of it back sick of the either. So on. Somehow on. Till sick of both. Throw up and go. Where neither. Till sick of there. Throw up and back. The body again. Where none. The place again. Where none. Try again. Fail again. Better again. Or better worse. Fail worse again. Still worse again. Till sick for good. Throw up for good. Go for good. Where neither for good. Good and all."

                                             - Samuel Beckett

Sunday 12 November 2023

Ainadamar

 And so to the opera. I have been in Birmingham for a couple of days, primarily to take in the Welsh National Opera production of Golijov's 'Ainadamar'. This is an unusual piece, indeed the programme describes it as 'waith unigryw'; I'm not sure about that, although I might go as far as 'gwahanredol'.



The work deals with the assassination of the poet and playwright Federico García Lorca at the beginning of the Spanish Civil War and, rather than being told in a linear narrative, unfolds in flashbacks from the deathbed (*) of Lorca's muse, the actress Margarita Xirgu. The music added flamenco, Arabic and Jewish influences and Cuban rhythms to a classical core and was wonderful, greatly enhanced by the dancing which interspersed the singing.




At university in Madrid in the 1920s Lorca was a friend of Salvador Dalí (**) and, as luck would have it, I have been to see 'Daaaaaali!' at the Leeds International Film Festival. This is directed by Quentin Dupieux, whose 'Incroyable mais vrai' I saw and enjoyed last year at LIFF, but don't seem to have bothered to mention here before. In a similar fashion to 'Ainadamar' the film eschewed a single narrative arc in favour of a sort of recursive, Russian doll like series of dreams and films with films; all entirely in keeping with the great (and egocentric) surrealist at its heart. It was very funny, and I highly recommend seeing it should it make it to your local multiplex. The scene near the beginning in the hotel corridor is worth the effort on its own.


* That's how it seemed to me; no doubt other opinions are available.

** And Luis Buñuel.

Saturday 11 November 2023

Battle of Madrid, the Conclusion

 The game reached its inevitable conclusion, although it took a little bit longer than I thought it would. The French had played an event card (*) the previous week which meant that their best division could carry on after its morale was all spent, and carry on they did. Together with one of their cavalry units they caused a couple of British units on the left flank to rout. The focal point was however on the British right flank and there the Light Division advanced steadily and the day was won.

Things I would have done differently include arranging the units of the Light Division differently and possibly continuing the cavalry's move from flank to flank instead of pausing it for a while. I shall have a chance to test the first of those next week, because following another couple of turns of map moves (I think we're now half way through turn 8, but please don't rely on that) Wellington's army will now face off against Soult's.

I know everyone is interested in whatever rule changes occur. This week's related to morale losses following losing a melee. There was a certain amount of robust discussion around this as it seemed to appear from nowhere. James' justification didn't really consist of much more than saying that it was what he had written down and therefore it must be right. Fair enough, that will do me. And it is, of course, the same for both sides.


* These cards are part of the campaign structure. Personally, I'd include them in the base tabletop rules as well. I didn't like much about Soldiers of Napoleon, but I liked the event cards.

Friday 10 November 2023

I Can Still See You

 I can still see you: an Echo,

to be touched with Feeler-
Words, on the Parting-
Ridge.

Your face softly shies away,
when all at once there is
lamp-like brightness
in me, at the Point,
where most painfully one says Never.


                         - Paul Celan

Thursday 9 November 2023

No one shocked as Home Secretary stands on guide dog's tail

 





"I think there is only one quality worse than hardness of heart, and that is softness of head."

 -Theodore Roosevelt



Friday 3 November 2023

Kern You Believe It?

An unlooked for effect of my visit to Fiasco is that I have got the paints out again. One reason I didn't buy anything much was a nagging awareness that my last big(*) purchase hadn't progressed very far. But I'm pleased to report that the first unit of kern has now rolled off what I amuse myself by referring to as the production line.


Figures are a mixture of Red Box and Tumbling Dice


* Size of purchase is all relative obviously; this wasn't a particularly big purchase by anyone else's standards.

Thursday 2 November 2023

¡Hala Madrid! ...y nada más

 "I love thee as I love Madrid that we have defended and as I love all my comrades that have died. And many have died. Many. Many. Thou canst not think how many."  - Ernest Hemingway



I said last week that the Anglo-Portuguese
 army attacking Madrid was bigger and better than the defenders. The only hope for the French was to hope the initiative went their way and that they could see out the five turns allowed for the game before losing. In the event the opposite happened, with the Allies, for the second battle running, drawing the consistently higher dominos. At one point I drew the 2:1 domino; surely James would beat that? But no, he drew the 1:0. The very next draw I drew the double one; this time? No, he drew the 1:0 again. You can't help some people. On top of that, there were two double dominos (*), one when the French had all but succeeded in reaching the end of their deck, meaning that we only played one turn in the evening and Peter and I had been through our deck more than twice.

James will no doubt post a comprehensive post, but the evening ended with the French on the verge of losing all their army morale despite much of the British force, including their strongest infantry division and their cavalry, not having done anything at all. I give it half an hour at most next week.


* When both sides draw the same domino all used cards are shuffled back into the deck, but it doesn't count as an end of turn.