Friday, 20 December 2024

In Which I Don't Spend Any Money, But It's Still A Substitute For Doing Something

 By far the biggest cause of my loss of wargaming mojo has been the death earlier in the year of Peter, a long-time member of our small group. He is, of course, remembered whenever we meet up, especially when repeated bad dice rolls occur; that being one of his superpowers, along with getting really, really annoyed about making  repeated bad dice rolls. This was certainly the case this week when we refought Salamanca. It was expected to be a game that would last two or, quite possibly, three evenings. Instead, it was all wrapped up well inside two hours. Wellington, that was me, rolled consistently high whilst Mark, as the French, channelled Peter to an uncanny extent; except thankfully for the throwing dice at the wall in anger, restricting himself to swapping his dice repeatedly. I won't pretend it was a very good game, but it was certainly funny.


When Peter died we were asked to help dispose of the very large stockpile he had amassed over fifty years in the hobby. And when I say 'very large' I mean it literally. I think a kind interpretation of his approach would be to assume that he was storing up projects for retirement when he would have more time to actually get any use out the stuff he had bought. Anyway, this process is underway, although in the interests of accuracy I need to point out that James and Mark have done everything and my role has merely been one of supportive encouragement. Boardgames, model kits etc are steadily being put on eBay, figures are being sold through a well-known trader in pre-loved collections, and the books will follow in a similar fashion in due course. However, we have, with permission, put aside a couple of small things for us to play with, which after all is what they are meant for, and think of him as we do so. For example, our recent games of Nimitz have been with Peter's ships. I have now taken a starter set of 'Cruel Seas', which Peter bought at Vapnartak in 2018 or 2019 and which was never seen again, with the intention of painting the boats up and putting on a memorial game.

So, from famine to feast, two new projects for 2025. Watch this space, although given that it's Christmas, feel free to start the watching in a couple of weeks from now.

Friday, 13 December 2024

In Which I Spend Money As A Substitute For Doing Something

 "I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight." - Charles Dickens

It's been difficult to get the wargaming mojo fired up this year, real life events having taken the edge off things. As a group we have resumed playing games, but there has been a long hiatus in my own painting and modelling. I have decided that the best way to overcome inertia is to willingly walk straight into what is normally a wargamer's biggest mistake; I shall start a new period. 

I have had a long-standing urge to get some figures for the Mexican Revolution, and already own many sets of rules and not a few cacti. I was tempted some years ago by Peter Pig's comprehensive range, but everything else I own is in 20mm. However, I have recently picked up some 20mm figures (a mixture of EWM and Shellhole Scenics) on eBay, not ridiculously cheap but reasonable value. 



The bag bottom left isn't part of the purchase, it's a sample pack from Jacklex. In for a penny, in for a pound. There may be prompt updates showing progress in all this, or just as likely, there may not. 

Wednesday, 11 December 2024

L'étoile

 I promised some wargaming news last weekend and it didn't happen; nor, thanks to an unholy alliance between Royal Mail and TransPennine Express has it happened yet. So let's over-promise again and say that not only will there be wargaming news later this week, but there will even be a second tranche later next week as well.


A Chap With a Beard

In the meantime, let me give you one of my all too infrequent opera reviews. I have been to see L'étoile, the only opera by Chabrier to still be performed, albeit not particularly often. I, for one, had never seen it before. Chabrier was a late 19th century Parisian of the Bohemian variety, friends with amongst others Manet and Verlaine. 



Indeed he was the original owner of Un bar aux Folies Bergère, which sat above his piano. It was sold along with the rest of his extensive art collection following his death in a lunatic asylum from advanced syphilis. As St Paul - another repeated over-promiser and under-deliverer - observed "τὰ γὰρ ὀψώνια τῆς ἁμαρτίας θάνατος".




Coming back to L'étoile, it is an opera bouffe, coming chronologically after Offenbach and before Gilbert & Sullivan. Although not a credited librettist, it would seem that Verlaine contributed to certain sections, especially that relating to the Chair of Torture. But fear not, it's all light-hearted, even if King Ouf - that's him with the crown above - does promise the populace that he'll have two people executed on his next birthday to make up for the lack of spectacle this year. And yes, that woman to the left of the monarch does have a giant lipstick on her head. Anyway, I enjoyed it, good music, well sung, imaginatively staged and with some fine jokes. Remind me to tell you the one about the fish sometime.

P.S. In an attempt to shoehorn something vaguely military history related into this, can I draw your attention to the bottles of Bass Pale Ale rather incongruously sitting on the bar top in the Folies Bergère, apparently a reflection of anti-German sentiment following the Franco-Prussian War.

Tuesday, 3 December 2024

Is There Anyone Home?

 My resolution to post more often on my shiny new computer didn't work out that well. I am intimidated by the size of the screen. In any event there is still no wargames activity, although without wishing to tempt fate I expect to have something to write about by the weekend. 

What I have done since last here is attend a same-sex Hindu wedding - the food was excellent -  and also the first gig since before my illness. It was the rather fine Elles Bailey, who I had last seen some years ago at a local blues club. She has obviously gone up in the world in the meantime because she can now afford to hire the rightful, albeit reluctant, King of Gondor on drums.



Here she is in action: