It's time for the review of the year. (N.B. The wargames are right at the bottom for those who wish to skip the cultural bits.) One theme running through the year was Bradford 2025, City of Culture. I confess that I was somewhat sceptical before it started - I don't live in Bradford so was viewing it as an outsider - but I must say that I thought it was all very successful indeed. There were thousands of events, of which I went to a mere couple of dozen, albeit that they included most of the major ones, but had a good time when I did.
Opera: I've seen 21 operas this year, one more than in 2024. For the second year running the best was a concert performance of Simon Boccanegra, this time Opera North's contribution to Bradford 2025 at St George's Hall. Honourable mentions go to Owen Wingrave at the RNCM, Mozart's Impresario at the Buxton Festival and The Secret of the Black Spider by ON's youth company. The libretto for the last of those is a touch barking, which was also the case in various other productions seen this year. There was one in which one the characters was literally a turd, one in which someone fell in love with three oranges, one in which an AI powered robot took over the world (maybe because the Luddites had failed 200 years before, but then again maybe not), and one in which someone had to keep turning a handle to prevent the end of the world, but decided to take a bit of break instead.
Theatre: Seventeen plays this year, the best being The Railway Children, once again part of Bradford 2025. An honourable mention must go to Wise Children's North By Northwest, but other good stuff included Mary Poppins, Animal Farm and an odd but very enjoyable circus version of Tess of the D'Urbervilles.
Music: Only nine gigs this year, the best being Bywater Call. I am, as ever, contractually obliged to mention Martin Simpson and the same would be true for Fairport Convention except that shockingly I didn't see them. I do have a ticket for a gig in Harrogate in April, so normal service will be resumed this time next year.
Film: I saw 18 films this year, the most for many years. My favourite was the documentary Becoming Led Zeppelin, but the best non-documentary was probably Hamnet, which I saw at a festival although it doesn't officially come out in the UK until next week. I highly recommend it, but take some tissues. Other good stuff included The Ballad of Wallis Island, A Complete Unknown and Sunlight. The last of those is on very limited release, but catch it if you can. It was directed by Nina Conti, of whom more later. I also enjoyed The Choral which was of course not only filmed very locally to where I live, but also the screen play was by the very much still alive Alan Bennett.
Talks: Nine talks, the best of which was on William Morris and Islamic Art. It was a connection which is obvious when someone points it out but which I'm embarrassed to say had passed me by before.
Comedy: I went to sufficient comedy gigs to add a new category this year. The one I'm going to highlight is Nina Conti and, naturally, Monkey; very, very funny. The aforementioned film also features Monkey, but this time she's inside it. OK, I know she's inside the one in the picture below, but the film she's really inside it.
Exhibitions: I viewed a select number of exhibitions this year, i.e. not many at all. My favourite was certainly not the Turner Prize finalists show, which was inevitably terrible. I concur with those who say that the choice of the winner was nothing more than virtue-signalling. The best was probably We Will Sing at Salts Mill although next time I visit the top floor there I shall take the stairs more slowly. An honourable mention must go to Pigeobition in Keighley and that on gladiators at the Royal Armouries.
Books: I read 163 books in 2025, which is a good indication of how much of it was spent being ill. They include a large number of detective novels and thrillers from the past, perfect for not having to think very much. My favourite was a toss up between Passage of Arms by Eric Ambler or A Kiss Before Dying by Ira Levin. There were lots of the type of non-fiction books which are actually relevant to wargaming, but nothing leaps out as demanding recommendation. If I was forced to pick one it would be The Mexican Revolution: A Very Short Introduction by Alan Knight, but whether that is truly relevant to this particular blog is a moot point.
Boardgames: I logged 208 playings of 110 different games. I'll do a separate post on these, but my favourite game remains Dune Imperium and I continue to think that wargamers in general would like it.
Wargames: I managed 29 games in the year including half a dozen or so which I hosted in the annexe. Many of those were multi week games so all in all I spent quite a lot of time playing toy soldiers, which I have to say wasn't the way it felt at the time. Looking back I think the cowboys were what I enjoyed most; even more regression to childhood than usual.
Event of the Year: I lied, wargaming is not right at the bottom. I'm tempted to choose the carwash breaking down with car covered in lather with me inside. Having got out while the necessary fiddling with the controls was performed by the operative, I stayed outside until the wash completed. As I waited another car drew up behind me and the the look on the driver's face as I got back in and drove off was very amusing. He was obviously worried that he had been doing it wrong all his life.
I also won £25 on the Premium Bonds, which is never to be sniffed at. However I'm going for the day I spent visiting the Andy Goldsworthy Hanging Stones in Rosedale, which now I think about it I could have included under the Exhibitions heading. Access is limited and the location is a bit remote, but it's a great combination of art and a walk in the Yorkshire countryside..










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