Nothing's impossible

I am currently restricted to accessing Blogger from a tablet rather than  a proper computer. This is only a problem because of my technical incompetence which among other things is preventing me from replying to comments.

In which context, can I say two things. Firstly that Yuri Gagarin must surely have been among the most famous people in the world in 1961. Secondly that I met Ronnie Cash - author of the rhyme about the first man in space referred to above - about a dozen or so years after 'The Young Ones' came out. Our school was very close to, and had links with, the studios in which the film was made. As a result we did a stage version as our school play with support and input from Mr Cass. Sadly I was too callow to ask him for the secret of his inspiration for songs about cosmonauts.

So impressed was he that we went on to try out a musical version of 'Midsummer Nights Dream' which he had just written and of which he had high hopes of a West End production. Unfortunately for him the new work didn't  prove as robust to being mangled by a bunch of sixth formers as a plot about a youth club putting on a show. And that was despite your bloggist giving the world his Flute the Bellows Mender, in what remains his last stage performance to date.

When the years have flown

Not time for much today, so here is a little clip featuring Robert Morley as Hamilton Black.

Apart from the always excellent Morley (not to mention Cliff, Hank and the boys), look out for the strapline that appears at one minute twenty seven seconds. O tempora o mores!

The right time is any time

"Do you know what my favourite part of the game is? The opportunity to play." - Mike Singletary

The amount of gaming rises and falls to its own rhythm and seems to be on the up again. I have just finished marking up my opening dispositions for James' latest Seven Years War scenario, which kicks off tomorrow. Full details are naturally enough available on his blog although you'll have to dig back past the terrain porn. I have also written up a draft set of amendments to 'For, Lords, Tomorrow is a Busy Day', although I imagine that it will be some time before we go back to it. I wish that I had done the same when we had finished playing 'Romans in Britain' as all I have in that case is a set of unintelligible scribbles in the margins of the first draft. Painting has been suspended due to the table being needed for other purposes, but I had completed six stands of 15th century light horse, nine Roman auxiliaries and yet more Roman civilians.

And then there is boardgaming, with yet another new venue making its debut. Games played were:

• Princes of Florence - a first play for me although it's about fifteen years old. It has many features in common with the much newer 'Castles of Mad King Ludwig'. I thought it was good and I'd play it again.
• Euphoria - which struck me as being very similar in mechanics to 'Alien Frontiers' although I preferred the latter. The theme - exploitation of workers in a dystopian future - is completely irrelevant and superfluous.
• R-Eco - another neat card filler, apparently about recycling although one would never guess.
• Evolution - I enjoyed this yet again, although I really cocked up the last round and suffered my own personal mass extinction.
• Condottiere - this is a good game that doesn't get played enough and is another with a war theme that go down well with the wider boardgaming community. Oh, and I won.
• Red7 - we played this a bit more extensively this time round, moving on to the second level of rules which I think made it even better. Oh, and I won.

A thing long expected

"A thing long expected takes the form of the unexpected when at last it comes.” - Mark Twain

The bad weather abated sufficiently for us to get in not one but two games of "For, Lords, Tomorrow is a Busy Day". We managed the second because these rules don't mess about. Combat is swift and bloody and the morale rules mean that when one's army starts to go, it won't be long be it disappears completely. For the record the Lancastrians under Somerset won once and the Yorkists under Edward IV won once. In both cases there was a bloodbath of leaders following terrible dice rolling. Indeed in the second game Richard of Gloucester was captured in melee and the the subject of an heroic rescue.

I think that there was a general feeling that the combat resolution rules were nice and simple and contained some interesting ideas. There was also a consensus that while the morale and pursuit rules may reflect reality, their brutality rather detracts from the game experience. We also felt that perhaps a complete absence of command, control and movement rules wasn't exactly to our taste.

So I shall take two actions. Firstly to add some simple motivation rules and secondly to modify the routing and pursuit rules so that they are based around a single modified D10 roll rather like the combat rules. Other than that and I think the addition of a Levy class ( -1 dice modifier) and then they will get another run out. In the meantime it's back to James' and the Seven Years War, where a dice roll on Wednesday means that I shall be commanding the Prussians.

The vasty fields of France?

Boardgaming has returned to l'Arbre d'If (although the venue is still suffering from the hasty departure of the previous landlord - unspeakable things in the kitchen were was what was being, er, spoken about this week) and I played some enjoyable games that I had not come across before.

6 Nimmt was roundly and loudly denounced by one of the attendees who refused to have anything to do with it, but I rather liked it. I had absolutely no idea of how to approach it though, despite having both the 102 and 104 cards in my hand.

Ice Flow was as usual a hit with those who played it for the first time, with it's deceptively deep strategic play catching them out. I am pleased to report a return to winning form for your bloggist, with December's sound thrashing by some random young person being exposed as the aberration it undoubtedly was.

Archaeology was  a rather fine card game filler, one of many that I have come across in recent weeks. I came a fine last, having suffered heavily from sandstorms and thieves and managing only to sell two pieces of broken pot to the museum. Poor stuff.

New game of the night for me was Lancaster. Now this is a medium complexity Euro game with elements of both worker placement and area control, and I wouldn't want to mislead anyone by suggesting that it is anything else. However, within the context of a straightforward mechanic-driven game, the theme manages to come across quite strongly, giving plenty of opportunity to intimidate one's rival barons in early 15th century England by displays of martial strength as well as racing across the channel to fight the French. The fighting was of course very high-level, although it was carried out by pieces reminiscent of a block wargame, but it also allowed stitching-up of the other English barons while one was at it. Indeed I won right at the death when one of my main rival's knights got captured and he couldn't afford the ransom. Shame.

Uh-oh

MS Foy has gone all cryptic in his comment on yesterday's posting, but I have decided to interpret it as a request for me to post a link to Talking Heads' "Uh-Oh, Love Comes to Town", a song that I'm always happy to sing along to as it contains the line "I'm a know-it-all, I'm the smartest man in town". 

Monsieur Foy's own notionally-about-wargaming blog is in particularly fine form at the moment having recently featured the birds in his garden, the etiquette of selfies and motor racing at Aintree.   Really wild general.

In silence and tears

When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning  
Sank chill on my brow--
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame;
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell in mine ear;
A shudder come o'er me--
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well--
Long, long shall I rue thee,
Too deeply to tell.

In secret we met--
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?--
With silence and tears.

                       - Byron

We will, we will....

Well, it's a been a disappointing week all round; indeed on first reflection the most exciting thing I could think of was that I had bought a wok for £1.50. However, further thought reminded me that there was the sweet soul music of the Solicitors (the capital letter being rather important in this case) plus some boardgaming at la Toison.

First up was 7 Wonders which I played for the first time with the full complement of seven people. It is a cleverly designed game in the sense that it doesn't really take much longer however many players one adds. That's all I have to say about it and I couldn't see why everyone says that the Tower of Babel expansion improves things so much. Mush!Mush! was as much fun as usual; we played for the first time with the buildings and they seemed to work well. Then I finished with a couple of card games: Family Business and Hanabi, in the latter of which we once again failed to organise the firework display.

Otley in the snow

The game chez moi was once again cancelled due to bad weather which gave me the usual chance to work out that I was short of the necessary figures. I don't actually have any Wars of the Roses cavalry and needing some for the scenario laid out for a run through of 'For, Lords, Tomorrow is a Busy Day' I have substituted some Imperial forces (as in Sigismund's crusade against the Hussites). However, their light cavalry are of the Cuman horse archer variety and don't work at all. I have therefore invested in three sets of RedBox Scurrers. I'm not so keen on the axe wielding figures as light cavalry, but the others will do nicely.

Dove sono i bei momenti

And so to the opera. 'The Marriage of Figaro', described by Stendahl as 'a sublime mixture of wit and melancholy which has no equal' was, inevitably perhaps, superb; although I felt as I always do with this work that it went on a bit. Mozart may have been a genius ["May?" enquires the Rhetorical Pedant, er, rhetorically "Mozart may have been a genius?"], but he needed someone to take him and Da Ponte aside and tell them to drop the fourth act. It was his previous opera that provoked Emperor Joseph II to make his famous comment about there being too many notes, but something similar could be said about this one. As it's an opera it's not supposed to make any sense, but surely the goings on in the garden just detract from what has gone before. I don't believe - plot spoiler alert by the way - that either Figaro would doubt Susannah or the Count and Countess would be reconciled and the wedding (it's really about the 'wedding' of Figaro rather than his 'marriage') has already taken place. And of course an earlier finish wouldn't have caused me to miss my bus.

The set design and staging fully recognise that this is a farce, with plenty of doors and the cast popping in and out of all of them during the overture. The musical highlight for me - and what would have been the winner of the new award that I haven't decided to give out - was Figaro's aria 'Non più andrai' towards the end of the first act, and which has at least some tenuous relevance to wargaming. It's a great tune of course, but maybe it's also the words touching a nerve with this listener:

Non più andrai, farfallone amoroso,
notte e giorno d'intorno girando;
delle belle turbando il riposo
Narcisetto, Adoncino d'amor.

The Manchester Rambler

One hundred years ago today Ewan MacColl (né Jimmie Miller), the Grammy-winning social activist, was born in Salford. A complex man, with plenty of negatives, one must nevertheless stand back and admire the achievements. As a keen walker I've always enjoyed his song about the mass trespass at Kinder Scout:

And who could resist a song called 'Ballad of Accounting'?

Farewell to you, my love, my time is almost done
Lie in my arms once more until the darkness comes
You filled all my days, held the night at bay, dearest companion
Years pass by and they're gone with the speed of birds in flight
Our lives like the verse of a song heard in the mountains
Give me your hand and love and join your voice with mine
And we'll sing of the hurt and the pain and the joy of living

- from 'The Joy of Living'

Ain't that mud in your eye

There seems to be a brief hiatus in the sequence of tours by bands whom I haven't seen play for forty years. I have therefore embarked on a brief diversion into watching acts whom I wished that I had seen forty years ago, but for some reason didn't. First up was Nils Lofgren, who on his last visit to Leeds played alongside Bruce Springsteen in front of twenty thousand people at the opening of the arena. On this occasion he had to make do with a capacity crowd of seven hundred and fifty at the City Varieties, but it didn't seem to affect his enthusiasm or energy.

It was an excellent gig, indeed an early contender for the hotly contested and prestigious 'Discourses on Wargaming' concert of the year title. Lofgren of course has not just been a member of the E-Street Band, but also of Crazy Horse and the highlight for me, being as you know somewhat of a pseud, was his explanation of how he had come up with the piano part on 'Southern Man' whilst playing on the sessions for 'After the Goldrush'. The speeding up of the piano during Neil Young's guitar solos apparently owes a debt to the accordion lessons that his parents made him take as a child in Chicago.

Lofgren is as good a guitarist as I have ever seen. Certainly he knocked spots off Clapton's concert last year (and was immensely more personable), and I'd put him up there with Catfish Keith; high praise indeed. He also played keyboards, a harp (I don't mean a harmonica, I mean a real harp) and tapdanced. Sadly a double hip replacement meant that the trampoline has been retired.

Song of the set - not yet a blog award, but I'm considering it - was final encore 'Shine Silently', but he naturally also performed favourites such as 'Keith Don't Go', 'I Came to Dance', etc.

The last song is also by way of a lead in to tomorrow's post.

Bad Boy Modernist

I have been to another remarkably well attended lecture, this time at Leeds Art Gallery, where Sue Malvern spoke about C.R.W. Nevinson.

I have written here before about my admiration for Nevinson's futurist work prior to and in the early part of the First World War. I have also mentioned his switch to a more realistic stance when he became an official war artist and his rather bold decision to display 'Paths of Glory' with a paper sticker bearing the word 'Censored' across the two dead bodies when these were deemed inappropriate by the authorities. However I wasn't at all aware of his later work and so was pleased that this was a focus of Dr Malvern's talk. I was somewhat disappointed however to learn that there was a good reason for my lack of knowledge; namely that his later work wasn't actually very good. The speaker was dismissive of its artistic value and I didn't need her to tell me that what she illustrated with slides was aesthetically unpleasing; much of it hasn't survived, possibly indicating that it didn't sell.

She stressed that at the time Nevinson would have been considered the leading British war artist; as opposed to, say, Nash who might be so considered in retrospect. What then seems to have happened is that he maintained a high public profile - often appearing in the newspapers and socially very active - at the expense of any artistic development. I came away thinking that his ambivalent attitude to the growth of fascism in the 1930s was simply because he couldn't work out which side provided the best opportunity for advancement. Unlike most other first war artists he wasn't remobilised for the second, although he suffered a stroke in 1942 in any event.

So, there you have it, stick to the early stuff.

Can we outrun the heavens?

Last night's game was snowed off, so by way of a substitute for a report on the action here is a photograph of the starting positions:

The command and control rules in "For, Lords, Tomorrow is a Busy Day" seem to be the antithesis of those in Bloody Barons, or indeed Piquet, and I'm looking forward to seeing how we adapt to them. The combat and morale rules also appear to contain some interesting ideas; the key test as usual will be whether the combination of the writing and the reading has communicated the author's intentions accurately.

In the meantime Henry VI prefers prayer. to battle, while Margaret of Anjou looks the other way in disgust. The cleric in the foreground appears to have been somewhat startled by the flash.

Pot37pouri

Boardgaming has broken out again, slightly delayed in one of the pubs which hosted us by the barmaid's breathless description of the events leading up to the landlord doing a runner immediately after New Year. These seem to have involved a mass brawl in the car park, alleged extra-marital sex in the saloon bar, an interfering mother-in-law, the landlady clearing an after hours lock-in by throwing glasses at drinkers, the police arresting the victim of domestic abuse instead of the perpetrator and much else. You will understand why most of us paused mid card play in order to get full value from the story. One result was that for the second time in just a few months I found myself in a pub with no beer and a second is that we have to find somewhere else to play next week.

Nothing distracts a truly dedicated gamer

Anyway, you lot aren't interested in that sort of gossip, you want the games; which were:

Quartermaster General: A second play of this confirmed my high opinion of it. I took the Italians this time and we in the Axis were able to make the world safe for timely trains, although not as easily as the Allies had won the previous week. It did indeed turn out completely differently from the earlier game and, as most of us had now played before, the tactics (strategies?) were somewhat more subtle. I had wondered what the Italians brought to the party, but they have a lot of cards which add value in and around the Mediterranean; all of which makes sense.

Small World: I don't mind this every now and then although its fantasy theme is a little outside my normal comfort zone. I won quite easily by deploying Underworld Trolls, as you do.

Apples to Apples: Which never gets any better

Hanabi: I do like this, but it might suffer from diminishing returns if played too often.

Toc Toc Woodman: Or as it's known in the English version apparently 'Click Clack Lumberjack'. This is a preposterous game in which one chops down a plastic tree with a plastic axe. Jenga is probably the closest game I can think of to illustrate it. I was useless at it, thoroughly enjoyed it, played it four times in a row and must buy it immediately.

London: A bit ho hum. The aim is to redevelop London after the Great Fire, although it involves building underground railways, which I'm pretty sure weren't available to Wren and Hawksmoor. It passed the time, but I won't be seeking it out again.

Red7: A nice, short card game filler. Recommended.

Mysterium: Dixit meets Cluedo; not my cup of tea.

I also discovered that the game whose name that I couldn't remember was a Doomtown themed version of Seventh Hero which came as part of the AEG Black Box. No, I am none the wiser either.

Your bloggist ponders the big problems of the 21st century

I am hosting the Wednesday night game again this week. I have again been busy - another impromptu and last minute trip to London - and so am sticking with the Wars of the Roses. Delving even deeper into my pile of rules for the period I find "For, Lords, Tomorrow is a Busy Day" by Real Time Wargames and so we shall give those a go.

CSI: Bosworth

I have been to a talk entitled "Killed the boar, shaved his head - the violent death of King Richard III" by Bob Woosnam-Savage, Curator of European Edged Weapons at the Royal Armouries. The lecture, lavishly illustrated by Graham Turner paintings as well as photographs, was by way of a fund raiser for Otley Courthouse (Savage is a local resident), but even so I was astonished to see around two hundred people turn out on a very cold and snowy evening. Less surprisingly I was easily in the lower quartile of the age range.

Savage didn't present any new theories (although I was intrigued by his suggestion that it was the dog that killed the princes in the tower), but did give a clear - and very graphic - account of Richard's wounds. He then outlined what he described as the team suggestion as to how events unfolded; having himself became involved after the discovery of the body with the specific task of interpreting the wounds with regard to type of weapon, direction of attack, sequence of events etc. He was particularly keen to stress the sheer unlikeliness of the whole thing. The survival of the grave, the synchronicity of both its discovery and that of the true site of the battlefield, the discovery of DNA and development of techniques for matching it, the identifying of descendants of Richard's sister through the female line before the line died out: any of these on their own were improbable - all together and one is getting close to being able to power the infinite improbability drive.

Zaphod Beeblebrox - long time Ricardian

The gist of the team theory is that Richard charged with his household of around 300 well armoured men in a planned charge, got caught up in boggy ground and unhorsed (no French mercenary pikemen involved) where he was surrounded and beaten down to his knees, his helmet torn off and then he was finished off by the halberd of a Welsh foot soldier. There is naturally a book coming out in a couple of months - just after the re-internment, to which I have unaccountably not yet been invited - and so you can all check my version against the official line at your leisure.

One point of particular interest to me as a wargamer was when he discussed his involvement in the Channel 4 documentary featuring Dominic Smee. Smee has the same type and degree of scoliosis as Richard and was trained to ride and fight in armour to see how the condition might have affected the king. The documentary is well worth watching and is available online so I won't repeat any of it. However, Savage covered some aspects that didn't make the final cut, or at least if they did I've forgotten them. In particular he said that based on measurements of the newly discovered battlefield and on the team view of what happened when Richard was unhorsed, that the charge would have taken four minutes and from the point it was halted to Richard's death would have been a further two minutes. I find that a fascinatingly and poignantly short time.

The Simpletons

The audience asked a number of questions afterwards, most of them complete nonsense. Just to give a flavour, the first asked about the size of the penis on Richard's heraldic emblem of the boar. [As an aside, if anyone can identify the relevance the above - somewhat obscure - picture then there is absolutely no prize whatsoever, but you will be have the pleasure of knowing that you are as pretentious as me.] The whole thing deteriorated to such an extent that the organiser stepped in and stopped it when Savage himself, having squeezed the last bit of fun out of talking about bollock daggers, launched into a bit of a rant about the historian Mary Beard.

Bloody Barons

Weeks ago now I set up Tewkesbury in the wargaming annexe based on the scenario in the Bloody Barons rule book with the intention of running through it solo. I then discovered that I didn't have enough figures and painted up quite a lot more. I then discovered that I had miscounted and still didn't have enough figures and painted some more. By then it was fast approaching Christmas and we had finished the run through of Marignano so it was decided to play it through as our first game of the New Year. And that, as a result of my second short notice trip to the South Coast, was yesterday; or possibly the day before depending on when I get round to posting this.

Probably the most notable feature of the night was the sheer incompetence of the umpire. I spent so much time getting to grips with the command and control aspects that, as became painfully apparent, I had only the sketchiest grasp of the combat rules, let alone those for morale. We gradually noticed elements on the Quick Play Sheet that we didn't seem to be using and so the complexity level deepened as the battle unfolded. On balance I would not recommend this as an approach.

Any review of the rules by me would therefore be of even less use than usual. What I would say is that that there seems to be an awful lot of dice rolling involved. However, another game - playing properly from the beginning - would be needed before any even vaguely sensible conclusions could be formed.

Quartermaster General

My mention of having played and enjoyed Quartermaster General prompted some interest so I thought that I would expand on it a bit. Demonstrating the degree to which I have my finger on the pulse, I had never heard of the game before arriving in the pub on Monday evening (le Bois d'If, same as every Monday) when a fellow gamer mentioned it. Entirely by chance we found ourselves with exactly six players at a suitable time in the evening and so it hit the table. That encapsulates my main reservation with the game and why I probably won't buy it myself; to play it properly one needs exactly six people.

In order to get everyone to play it we had to overcome the reservations of one of the two women present, who expressed a disdain for wargames. I reminded her of the time we had played Manhattan Project and she had to admit to happily launching bombing raids on her competitors as part of that game (as an aside, on that occasion I won by eschewing the conflict part and sticking to the accountancy); she was also, I think, swayed by QG's co-operative aspects. It's a team game rather than strictly co-operative, with players representing the UK, US and Soviet Union facing off against those taking the part of Germany, Italy and Japan. Turn order is fixed with the Germans starting it and the US being last to join in; so far so realistic. My own dislike of co-operative games is really of those where everyone has the same information, because I find that most players simply end up as being the stooges of the most forceful personality. In this game teams can discuss things, but don't know what is in each other's hands and in any event anything they say can obviously be overheard by the other team, so such conversation tends to be limited.

I have now gone back and read a few reviews of Quartermaster General and most complaints seem to be that one's actions are restricted by the cards currently in one's hand - in particular that one often can't attack when one feels like it - and that on occasions one's turn simply consists of playing a card that will come in handy later on. Now there is no doubt that conflict resolution is perfunctory, not even reaching the levels of complexity seen in Diplomacy, but I found this constraint worked well. The Allies would like to have opened a second front in 1943, but weren't ready so they couldn't; once again so far so realistic. As the name might suggest the game is in large part about supply and about economic warfare. The US have the material, the USSR has the men and the UK has geographic reach through its empire; the Germans and Japanese have the early initiative and the Italians have, well I never actually discovered what they have.

Anyway, caveated by the fact that I only played it once, I only played one side and I only played about half of the deck (because we had saved the world for democracy by then), I enjoyed it. It's clearly a game about war - with lots of historical reference points - but it's also a game about marshalling resources and prioritising decisions. According to the person who brought it along it has great replayability. I'm not really surprised that the game gets a much higher rating on boardgamegeek than reading the reviews would suggest. But, and it's a big but, you need six people.

We ought to have a different kind of justice

I have been to another gig in aid of the local food bank. This time Little Rach and the Gerry McNeice Band were the entertainment. The latter is well known in Otley, but it was the first time that I had seen the former, who had come across from Manchester to support the cause. She was excellent - albeit tiny - and you should see her if you get the chance.

And if you wondered why no US political leaders bothered to attend last Sunday's march in Paris, well Robb Johnson's song from 2001 has a suggestion.

Shouting in a bucket blues

I have continued my tour of out of season seaside resorts with a trip to Brighton. Despite the flooding that at one point looked likely to prevent my returning home I will categorically state that Brighton is better than Bournemouth whatever the meteorological conditions. In any event I actually stayed in a pub in a small village in the downs, all wooden beams and open fires; very nice. And then immediately on my return I had to get on a train to London. For those unfamiliar with the geography of the UK just  take my word that Brighton to London via Leeds is not the recommended route. 

Boardgaming has resumed for the year. We started with a light card game that I quite enjoyed, but have unaccountably forgotten the name of. It featured a game mechanic called the 'wandering dude' which on its own would have been good enough for me to give it the thumbs up. Second was Last Will, a game which involves getting rid of all one's money. This obviously rubbed me up the wrong way to start with and wasn't helped by my brilliant strategy being stopped in its tracks by my failure to read my cards properly. Nevertheless I vote this a hit as well.

The highlight of the evening was however Quartermaster General which is, astonishingly and incontrovertibly, a wargame. Now wargames don't get played much at boardgaming meetups for all sorts of reasons: many take far too long, many are two player, they of necessity have a fairly limited range of mechanics etc etc. But last night, finding ourselves with the requisite six people, we re-fought WW2 in an hour and twenty minutes, saving the world quite straightforwardly in the end. I played the US, arsenal of democracy, which must be the easiest role; one just has more of everything than everyone else. It's a card driven game with a map board and pieces representing armies and fleets and moves along very quickly. It's would seem that it would give very different games each time it's played although in keeping with history the Axis probably have to land a knockout blow early if they are to succeed. I thoroughly enjoyed it and would strongly recommend it; providing always of course that one has five - and only five - similarly minded gaming friends.

Which load of nothing just leaves space for some Stone the Crows, with three warnings. Firstly, the song is not that advertised in the post's title (that's by Kevin Ayers anyway); secondly the lyrics are satisfyingly rude; and thirdly the clothes and hairstyles are dreadful - truly the seventies were the decade that fashion forgot.

Hold, Tybalt! Good Mercutio!

"The best revenge is to be unlike him who performed the injury." - Marcus Aurelius

Les yeux

Bleus ou noirs, tous aimés, tous beaux,
Des yeux sans nombre ont vu l'aurore ;
Ils dorment au fond des tombeaux
Et le soleil se lève encore.

Les nuits plus douces que les jours
Ont enchanté des yeux sans nombre ;
Les étoiles brillent toujours
Et les yeux se sont remplis d'ombre.

Oh ! qu'ils aient perdu le regard,
Non, non, cela n'est pas possible !
Ils se sont tournés quelque part
Vers ce qu'on nomme l'invisible ;

Et comme les astres penchants,
Nous quittent, mais au ciel demeurent,
Les prunelles ont leurs couchants,
Mais il n'est pas vrai qu'elles meurent :

Bleus ou noirs, tous aimés, tous beaux,
Ouverts à quelque immense aurore,
De l'autre côté des tombeaux
Les yeux qu'on ferme voient encore.

                                        -  René-François Sully Prudhomme

Sir Adrian Paul Ghislain Carton de Wiart VC, KBE, CB, CMG, DSO

A short while ago I included in the blog a fictional cover for the equally fictional memoirs of the, well you get the picture, fictional Brigadier Ben Ritchie Hook. The cover was based on that for the actual biography of the very real de Wiart on whom the character of Ritchie Hook was previously based by Evelyn Waugh.

de Wiart is on the far right

I downloaded a copy of de Wiart's autobiography on to my kindle and am about a third of the way through. He is currently in command of an infantry battalion in the trenches and has already lost several body parts, mostly in action against the Mad Mullah. Normally I would wait to review it until I had finished it (hint - it will undoubtedly appeal to all wargaming readers of this blog; Russian spambots and Elkie Brooks' greatest fan perhaps less so), but the BBC website today contains a brief article on the man which I thought I would draw to your attention.

For completeness can I also mention that anyone who hasn't read Waugh's 'Sword of Honour' trilogy in which Ritchie Hook features heavily should also add that to their reading list. If there is a better work of fiction that came out of World War II then I'd like to hear about it (maybe 'Catch-22'?) and it is surely Waugh's masterpiece. The television series starring Daniel Craig overly condensed the story although the BBC radio adaptation of a couple of years ago wasn't at all bad. I've never seen the television version starring well known wargamer Edward Woodward.

Merle!

I haven't been asked by anyone why I haven't chosen a book of the year for last year, but it would have been a good point if they had. I am going to choose 'The Brethren' by Robert Merle (the first book in a saga about French history translated from that language), with a special mention to 'The Iron King' by Maurice Druon (the first book in a saga about French history translated from that language).

Your bloggist ponders French literature

The first of these books is reminiscent of 'The Three Musketeers' and I look forward to the rest of the series being like the subsequent million and a half words leading right through to 'The Man in the Iron Mask'. In any event both are highly recommended. I see that the BBC version of the Musketeers has started again and must catch up with it. I know it bears minimal relation to the books, but I found the first season entertaining enough.

Your bloggist has pondered enough

And sadly the new year brings no relief from the obituary column. We must once again say goodbye to an icon of my youth.

"Well, come on baby....let's wrestle."

TWTYTW

"Happiness isn't something you experience; it's something you remember." - Oscar Levant

Now I promised a review of the year - no I did, honest - and, da dah, this is it.

• Gig of the year: Thea Gilmore (not just for the tango on the street interlude during the fire alarm), with a special mention for Fairport Convention
• Play of the year: 'The Play That Goes Wrong' (absolutely hilarious), with a special mention for 'An August Bank Holiday Lark' 
• Opera of the year: 'La Traviata' (trite, but the only possible choice), with a special mention for 'The Threepenny Opera' (not actually an opera of course)
• Film of the year: 'Gravity' (must confess that I didn't actually see that many)
• Wargame of the year: got to be the opening of the wargaming annexe, with a special mention for James' Seven Years War scenario involving forces arriving from all four sides of the table.
• Boardgame of the year: Sail to India, with a special mention for Castles of Mad King Ludwig
• Event of the year: 'Le Tour de France' coming past my front door, with a special mention for actually having a front door to call my own for the first time in years.

Pot36pouri

"And anyway the snow has covered all your footsteps

And I can follow you no more" 

• I have been to Bournemouth. It was freezing cold and blowing a gale; it was just like being there in mid-summer in fact.
• There was a double dose of boardgaming this week, featuring Ice Flow, Gloom, Istanbul and Castles of Mad King Ludwig. I didn't win the first (a noteworthy event in itself), didn't like the second (not helped by the pub being somewhat, er, gloomy thus making the cards unreadable) and won the last two with - if I say so myself - some nifty play. It was the second time that I have played Istanbul and my previous high opinion of it was confirmed.
• My car has failed its MoT. It's not all bad news though, because it only cost me several hundred pounds to get it fixed sufficiently to pass the retest. Bargain.
• The change of year requires me to review the old year and look forward to the new. I shall start here:

The latent or the lurking

                                               You are now
                                                In London, that great sea, whose ebb and flow
                                               At once is deaf and loud, and on the shore
                                               Vomits its wrecks, and still howls on for more.
                                               Yet in its depth what treasures!

                                                - Percy Bysshe Shelley

Since my last post yesterday I have been to London and back, staying last night very close indeed to where I was born. I am with the seventh Lord Balfour of Burleigh rather than with Dr Johnson with regard to this one.

It's all meat from the same bone

Another one. N'oubliez jamais.

That is of course the late Bobby Keys playing saxophone.

Musée des Beaux Arts

About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Brueghel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

                                   - W.H. Auden

Earthly novelty is too soon dulled

              According to Brueghel
                                           when Icarus fell
                                           it was spring

                                           a farmer was ploughing
                                           his field
                                           the whole pageantry

                                           of the year was
                                           awake tingling
                                           near

                                           the edge of the sea
                                           concerned 
                                           with itself

                                           sweating in the sun
                                           that melted
                                           the wings’ wax

                                           unsignificantly
                                           off the coast
                                           there was

                                           a splash quite unnoticed
                                           this was
                                           Icarus drowning

                                                     - William Carlos Williams 

And through thick woods one finds a stream astray

Call it a good marriage -
For no one ever questioned
Her warmth, his masculinity,
Their interlocking views;
Except one stray graphologist
Who frowned in speculation
At her h's and her s's,
His p's and w's.

Though few would still subscribe
To the monogamic axiom
That strife below the hip-bones
Need not estrange the heart,
Call it a good marriage:
More drew those two together,
Despite a lack of children,
Than pulled them apart.

Call it a good marriage:
They never fought in public,
They acted circumspectly
And faced the world with pride;
Thus the hazards of their love-bed
Were none of our damned business -
Till as jurymen we sat on
Two deaths by suicide.

          - Robert Graves

More Mostly Marignano

It's been a grim, grim day so, cathartically, let me write about some things that don't matter at all.

The second evening of Marignano fell rather flat with an easy French victory. On reflection it had all been decided during the first night's play with the Swiss missing a move card, not being grizzled (although one shouldn't feel too sorry for them as they were still fierce, stubborn, murderous and swift) and suffering heavily from the artillery. It was sufficiently flat for James not to write it up, but the solo run through of the revised scenario that he is reporting on in his blog looks an improvement.

Other wargaming news is a bit light for various reasons. I have completed a third Roman villa which in line with my usual standards is crap but usable. I bought a pdf download from the Wargame Vault for $2.90. It's supposedly 1/72 scale, but I printed it out a half size and that gives a much more suitable footprint, especially as I shall be aiming to have perhaps five on the table. They do other villa styles, but being careful with money I shall probably just build another couple of the same ones.

Boardgaming included Abluxxen, Castles of Mad King Ludwig, Mush!Mush!, and Skull & Roses. Abluxxen, or Linko as it also seems to be known, was rather good and I was rather bad at it, thereby placing it in a large set of such games. Mush!Mush!, or Snow Tails 2 as it also seems to be known, hadn't been on the table for quite a while, but seemed to go down well. One of the reasons I took it along was because I thought it would appeal to the younger demographic that sometimes attends and I was right. I also won the race, coming from behind on the final straight with judicious use of my bonus dice.

Une Amende Honorable

I have used this nominally wargaming blog recently to draw attention to the shortcomings of the US judicial system when dealing with institutional violence against black people. In light of the verdict in the Jimmy Mubenga trial, and even more so in view of this morning's revelations about evidence that the jury were not permitted to hear due to a ruling of the judge, I have to hold my hands up and acknowledge that this has been a case of the pot calling the kettle - well you know. The UK is, in this respect, clearly every bit as bad as the US.

It's true that life goes on regardless - I was wargaming last night myself - but events such as those in Australia and Pakistan (and all over the world if we're honest with ourselves) cast a long shadow. I know that I'm seven days early for this, but my own pie-in-the-sky Christmas wish is peace for all.

"I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality." - Dr Martin Luther King Jr

A post of no interest to anyone else - no change there then

Brentford 3 Blackburn Rovers 1 - you have no idea how much that scoreline makes me smile. 

Gary Blissett - he wasn't playing yesterday

These bats are bred for one purpose...

I have seen The Hobbit: Battle of The Five Armies, a title that somewhat misleads as the fifth army hasn't even arrived before it's all over for them courtesy of some oversized animals. Such large beasts ('bred for one purpose') appear a lot in this film. Should you ever have harboured the ambition to see Billy Connolly riding a pig then your dreams have come true. My hearing isn't the best and even with my hearing aid turned to the appropriate setting he appeared to be playing a sweary, dwarf lord called 'Dave'; one part of that description isn't particularly surprising. In any event, cue Black Sabbath:

The film is, as you would expect, complete tosh, but is very entertaining. The dragon in full destructive action is most impressive. However, I can't help feeling that the whole series of films is simply the various scenes from the Lord of the Rings trilogy reassembled in a different order with different characters. Good fun though. One word of advice: revisit the previous two episodes prior to going; no recap is provided and I was completely lost until I remembered that it doesn't actually matter that much.

Mostly Marignano

James has explained the Marignano game on his blog (which I am assuming you read - and if you don't then certainly should) and last night it got under way. Peter took the thankless task of attacking as the Swiss against the dug-in French troops of James and me. It was a playtest of the scenario and one must reserve judgement until we are finished, probably in early January. However at this early stage I would suggest that the Swiss chance depends on making good use of their march cards and rallying back UI at a steady pace. Turn one ended on a double with one Swiss march card unturned; that might prove costly. One question for the playtest is how many captains the Swiss need for their pike blocks. Whatever is decided the exisitng commanders on either side have not performed well so far. The commander of the attacking forlorn hope declined to cross the earthworks with his valiant halberdiers - subsequently destroyed by counter-attacking French pikemen -  and the commander of the French light cavalry screen left his men abruptly to pay a visit to the king, although a frosty reception saw him sent straight back to the front line. We resume next week for turn three.

The right sort of Halberdier commander

I haven't got anywhere with my refight of Tewkesbury. I have painted up eight bases of Levy Bow, two of Levy and one of Retinue Bow (all bases are 40mm square and have four figures on them) only to find that I am still short of Levy Bow. Not only that, but I have completely denuded the enormous pile of unpainted plastic of all suitable figures. I shall paint up some more Retinue Bow and they will have to be demoted for this battle. Also on the painting table are some Roman auxiliary cavalry, plus yet more civilians to provide a bit of colour.

Me at my painting table

 And to finish, some Sam Cooke.

One way or another

There's only been one topic of conversation in Otley for the last few days: the one-way system. (Actually, and before any pedantic interjections, one of the one-way systems; I wouldn't like to give the impression that this is such a small place that it can't boast of two of the things) Anyway, the authorities decided to reverse the direction overnight on Thursday resulting in anarchy with a capital A ("Isn't anarchy with a capital A simply Anarchy" asks the Rhetorical Pedant, who can be kept out no longer. "No." is the reply.) There were some hopes that the mass civil disobedience as the motoring public insisted on driving the wrong way along the roads involved, was a symbol of their determination to not be cowed by The Man, but sadly it was almost certainly just a reflection of the selfishness of everyone when they get behind the wheel and the fact that they can't be bothered to read road signs or - as I witnessed with my own eyes - to obey the raised hand of a police officer. Good job we're not in the US.

In Otley obeying this is optional

Anyway, I braved the chaos with a capital C ("You've done that one!") to head off for some boardgame action. All of which reminds me that I didn't report on last week's games. So, briefly:

• Sheriff of Nottingham - a rather good bluffing game at which I sucked
• Sail to India  - which I think was the first time I'd played where we managed to get the rules right - a very good game
• Boom: Runaway  - impossible to describe or teach, but a quick and clever game
• Family Business  - always brings out the worst in people
• Quantum - which I like; a clever design
• Ticket to Ride: Europe - I'd never played this version before, but did as badly as usual
• Among the Stars - a so-so game which I won by concentrating on the end scoring phase