Two poets have been in the news. Firstly, Louise Glück won the Nobel Prize for Literature. I rather like the following lines from her poem 'Vespers', which say it like it is, for me at least.
That our privileged ideals
Are divine wisdom..."
Two poets have been in the news. Firstly, Louise Glück won the Nobel Prize for Literature. I rather like the following lines from her poem 'Vespers', which say it like it is, for me at least.
I bet you all looked at that title and thought I was going to write about military history, or perhaps I was about to start wargaming a new period. However, and temptingly obscure though the War of the Mantuan Succession would be, neither of those is the case; you know me better than that.
The lack of posts on the blog has been to a great extent driven by a lack of balance in your bloggist. By coincidence the cover story of this week's edition of the New Scientist is about the fact that the population as a whole is falling over more often and that the problem is occurring at a younger age than ever before. They point the finger at less and less physical movement being undertaken by the bone idle denizens of the modern world, or at least that's what I think it said, but the magazine is on the other side of the room and I can't be bothered to go and get it. I have been placed on a regime of Balance Retraining exercises, about which I shall simply say that it is a good job that I live alone. Yoga has been mentioned, as it frequently is, especially by those who don't do it themselves. However, as I can't currently walk in a straight line, the Revolved Bird of Paradise may be some way off.
Anyway, here's some Sam & Dave, dedicated to the fond memory of those who perform the Downward Dog.
During the last few months I have found that many of the things I enjoyed doing pre-plague aren't anything like as good when one tries to do them online. I appreciate that comment will be misinterpreted in some quarters, so let me be clear that I am talking about opera, theatre, live music etc. However, one thing that seems to work rather well is the giving of talks, and I have watched quite a few now, on subjects such as how the myth of Prometheus has influenced culture, The Beatles and the Sixties Art Scene, and Crusader Arms and Armour from Africa and Asia; and very good they have all been.
The last item on that list was the first of the winter series of lectures from the Royal Armouries, a series which under other circumstances I would have attended many of in person. That's obviously an option for me because I live in Leeds, but their new practice of streaming them means not only that I don't have to get off my arse any more, but that others who are not based in West Yorkshire can see them as easily as me, either live or after the event. A recording of the recent one about 'genuine' Crusader armour and weapons sold to the unwary by Victorian dealers (and they may be fakes, but it's a very interesting story) can already be found here on their YouTube channel. The next two are on the subjects of 'Plug Bayonets' and ' The Development of Gunpowder Weapons in Medieval England', either or both of which may be of interest to either or both of my readers. The lectures are given by staff at the Royal Armouries, so they know their stuff, and are free, which now I think about it was what attracted me in the first place.
Details and a link via which to book can be found on the Royal Armouries website. Presumably future recorded lectures will appear on the YouTube channel, which anyway contains all sorts of fascinating stuff.
I like to keep an occasional eye on the most common search terms that have brought people to the blog. Sadly 'gay porn' has disappeared from the list, but thankfully 'beardy Branson is a twat' is hanging in there. Recently, the term 'Bloody Barons II' has appeared. Upon investigation I discovered that I had somehow overlooked the fact that Peter Pig had updated the rules first issued in 2005 and of which I own a copy. Even more investigation revealed that they are in fact a completely new set of rules, but have been given the same name.
My initial reaction was that it was some sort of con; in my defence I'm a bit of a cynic and that is my reaction to most things. However, logic says that it's the opposite that would be a con: the same set of rules with a new name. I don't know why I mention it. In any event I bought a copy.
As a slight digression, I am in the market for a fitness tracker or smartwatch and have been watching a number of YouTube reviews of various options. These influencer chaps - none of whom seem to be at all physically fit despite their interest in health tracking apps - have hit upon a useful trick for stretching out content. They do an 'unboxing' post followed, if one is lucky, by a full review in due course. That doesn't seem a million miles from what I have done (i.e. started to do) with 'Infamy, Infamy', and so this is an unboxing of 'Bloody Barons II':
"Scenery is fine, but human nature is finer" - Keats
What Keats was undoubtedly saying with those words is that whilst most wargamers may desire in principle to have beautiful, lifelike terrain on their tabletops, by and large they are too idle by nature to actually bother much about it. Obviously there are exceptions, all of James' scratchbuilt stuff for example, but I'm not one of them. It is in that context that we must look at my ever growing castle and town wall collection.
Many years ago I made a version in card and the learning from that process has influenced the design this time, including the decision to make it from laser cut wood in the first place, which I may return to another time. The main mistake of my previous attempt was that I used whatever card came to hand and ended up with no standardisation in length. This time everything, more or less, is10cm in length, or possibly 5cm or occasionally 2.5cm. They all fit together anyway. One positive feature was making the width of the wall sufficient for a 40cm deep base, and I have retained that. Before, I had gone for a thin wall with overhang; this time, after reviewing early prototypes, I switched to wider walls. I left the height the same, not least because that's the height of the ladders and assault tower that my armies are equipped with.
One other observation from my first attempt relates to the size of the blocks making up the wall. I quickly found that if one painted them to scale then the relatively small size and regularity that resulted - let's not forgot that the masons who built them really knew what they were doing - made it look like brickwork rather than stonework. So I painted the mortar lines freehand to represent quite large blocks, which looked better to me, although by any objective measure it is a lot less accurate. I have kept to essentially the same principle this time, but after fifteen or so years looking at the old ones, have put in an extra row on the new ones; finetuning if you like.
"You may get disgusted, start thinking that I'm strange" - Van Morrison, Domino
I have always believed in the power of music - and envied the ability of composers, musicians and singers - to convey emotions such as love, desire, lust...["OK, calm down, there are plenty of other emotions, you know." (*) ] ... but have never seen its strength as being the explanation of the principles of infection control. So, despite being a huge fan of Van Morrison, I have let his recent rantings about face masks rather pass me by.
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| "Take off your mask and drink your milk" |
I am still, other than in medical situations, rocking a bandana, and have been a bit surprised not to see more of them about. At first, when people commented, I would reply "If it's good enough for John Wayne, then it's good enough for me.", but when it became apparent just how old people had to be before they had even heard of Wayne I quickly stopped.
Should I ever adopt a more straightforward facemask then I shall be sorely tempted by those available from the Royal Armouries. The tosei gusoku has a certain something about it.
* Actually I didn't
“If you desire healing, let yourself fall ill, let yourself fall ill.” - Rumi
A couple of days ago I mentioned that I had been ill, and did so in a somewhat flippant context. Regular readers, especially those who have remember the events of almost exactly four years ago, will know what happened next. On Thursday evening a blue-light ambulance duly arrived and carted me off to A&E. It was, as you might expect, pretty deserted - although there was the usual quota of drunks accompanied by police officers - and was a somewhat more pleasant experience than on the previous occasion. Except, that is, for the most painful injection that I can ever remember having. I also had a brain scan; they didn't find anything.
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| Boom Boom |
I have been given some medication whose side effect is to leave me lethargic and drowsy, although you'll have to take my word for it that things are worse than usual. In any event, no painting is likely in the immediate future. There has been one unexpected benefit in the form of the reappearance of the wise woman of Thornton, the estimable Coral Laroc. Coral last featured on here when I recounted the story of the cat, and has understandably been keeping her distance ever since. However, she has used her mystic powers (*) to get in touch and say that she is 'sending some healing'. I think we can safely assume that this will set back my recovery by some time, but I'm sure that she means well.
For reasons that I don't really understand, mentions of Coral in this blog get more reaction from readers than those about any other woman except those actually wearing male military uniform. I think therefore it is time to pass on how you can follow her adventures directly. Firstly, for cat lovers, I must sadly report that the cat is no longer with her. She had to pass it on because - as the episode in my kitchen proved - it doesn't fit with her lifestyle. "What is this lifestyle?", I hear you ask. Well, I would describe it as a odd mix of superannuated YouTube influencer, peripatetic D-i-Y woman, and 'Carry On' film tribute act. For those with nothing better to do, she can be found here. Please don't give her money or encourage her in any other way.
Speaking of drumming yesterday reminded me that the book 'Advice to the Officers of the British Army', which I believe that I quoted from at the beginning of the recent troubles, is subtitled 'with the addition of some hints to the drummer and private soldier'. I'm not sure how well known the book is, and I'm pretty sure that it's currently out of print. My own copy is dated 1946 and that may well be the last time it was issued.
The book was originally published anonymously, but is generally accepted to have been by Francis Grose, a noted eighteenth century antiquarian. He may have decided to withhold his identity because whilst a militia officer (he had previously served as a regular in both the 19th foot and the 10th dragoons) he was entrusted with the funds from the officers mess and apparently managed to mislay much of it. The book is a satire ('1066 And All That' is as good a reference point as I can think of, although Grose's book isn't as funny as Yeatman and Sellar's) and may have been written in response to the debacle (from a British perspective) of the American Revolution.
The shortish book isn't relevant solely to the British army of that period, or even just to the military. A great deal of it has a sort of universal applicability. Indeed, while we are speaking of shambles being carried on by the British government, this is included in his chapter addressed to the commanding officer:
"As you probably did not rise to your present distinguished rank by your own merit, it cannot reasonably be expected that you should promote others on that score. Above all, be careful never to promote an intelligent officer; a brave, chuckle-headed fellow will do full as well to execute your orders. An officer that has an iota of knowledge above the common run, you must consider as your personal enemy; for you may be sure he laughs at you and your manoeuvres.
A principal part of your duty is to see justice distributed amongst your troops. Military law being so summary and concise, you will not find this a difficult matter: but if, simple as it is, you should be entirely unacquainted with it, you may substitute your own goodwill and pleasure - and that, in fact, must be justice."
I have been laid low with a virus - thankfully a different one to the one everyone else has - and, to preempt your question, I have no idea how I could have picked it up given the current restrictions on doing anything that makes life worthwhile. Laid low is the precise medical term as my balance has been all to pot; it was all rather unpleasant, as was the treatment, which involved drugs being blown forcefully up my nose. Anyway, mustn't grumble.
I'm not sure if it was the illness or just the general lying around, but I have been experiencing vivid dreams. After the latest I woke up with the thought in my mind that it was odd how many of those that I had played wargames with I had also seen perform on Top of the Pops, added to which notion was a mental image of Tim Tennant playing the drums. I did wonder if the rock music element of the dream was in any way related to the drugs up the nose situation, but that's just speculation. Anyway, getting back to Tim, I appreciate that very few of you will have met him, but as far as I am aware he has never actually been a member of a popular beat combo. However, were he so to have been, I think it highly plausible that he would have been found in the rhythm section. I am therefore going to count this episode as a demonstration of the mysterious truths that we would find in our dreams if we only knew how to look.
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| Tim displays his brushes to good effect |
Perhaps it's time I got round to re-interpreting the one with the harem and the raincoat.
“Alas, he is so handsome and wise, soulful and lovely, that I fear that his life must melt away in this vulgar world like a fleeting dream of the gods.” - Richard Wagner about King Ludwig II of Bavaria
Ludwig was a big fan of opera, liked building grandiose castles, and was, or at least was considered to be, mad. Be that as it may, opera having been welcomed back to the blog yesterday, it's now time for the return of something vaguely related to wargaming, namely another progress update on the castle.
As previously the pieces are at various stages of painting. It hasn't been good spraying weather recently. I have also changed the undercoat colour, and not entirely because I ran out of the other one. I think black will help to cover the joins.
I had decided to wait until I had finished making all the pieces before painting on the mortar lines to show the individual stone blocks. However, 'finished' doesn't appear that easy to define. One element of a modular system is that one never uses all the pieces at the same time anyway. So, perhaps it's time to get on with some of the finer detailing.
I mentioned recently that I had been to an outdoor, socially distanced opera. Well, now I've been to another, so I'd better write about them.
First up was the dress rehearsal of a short, family friendly version of Humperdinck's 'Hansel and Gretel' that Opera North are touring as 'Whistle Stop Opera', with four singers and an accordion . It was excellent in every way: musically of course, it didn't rain, it was free, and, probably most important to me anyway, it was a small, small step towards some sort of a hint of a return to normality. It took place in the car park of the UK's oldest surviving working men's club, which is in an inner city area a kilometre or so south of central Leeds. The entire audience was made up of middle class visitors whilst the locals ignored events completely.
Also excellent - and free - was Northern Opera Group's performance of Thomas Arne's 'Thomas & Sally', which was one of the few elements of this year's Leeds Opera Festival not to be online. Taking place in a small park between a multi-story car park and a shopping centre (and which for the first time that I can ever recall contained no winos) it was billed as a one-act comic opera. I didn't laugh once, and it had two acts, but nevertheless it was very good. Perhaps the comic part is simply that the soprano not only doesn't die, but even gets to marry her sweetheart in the end.
Now you'e all thinking to yourselves, "Thomas Arne, where do I know that name from?". Well, I suspect that you are bringing to mind the rousing choral finale to his opera 'Alfred' (as in 'the Great'), a song beloved of racist simpletons and rabble-rousing demagogues alike.
As a different song puts it:
"Land of hopeless Tories,
Mother of the Sleaze"
N.B. Credit for both cartoon and lyrics to Martin Rowson
I'm back. I'm tempted to pretend that I've been on a week long mescalin trip, but I think we all know that actually I have been doing sudoku and listening to the cricket. I have been to see an outdoor, socially-distanced opera production, but I'll come back to that later.
In the meantime, here's the former first lady of France singing a poem by W.B. Yeats.
Some questions have arrived at the Casa Epictetus, and I am inclined to answer them:
Q1: Can you tell us how you hurt your neck? No, mind your own business, although I will confirm that no horses were involved
Q2: There is previous evidence that you are a Brentford supporter. Can you explain how they went overnight from being the form team not just in the division, or even in the country, but on the planet, to coming fourth in a two horse race? I have absolutely no comment to make on this subject.
Q3: Has any light been thrown on why someone thought it would be a good idea to donate a hand grenade to charity? No.
Q4: Is it the case that you set off the smoke alarm while using the laser cutter and a fire engine turned up? There may possibly be some truth in this. In my defence, setting fire to pieces of wood is an intrinsic part of the activity, and I was wearing a mask and therefore unable to smell anything.
Q5: How can you justify your assertion in the comments section a couple of days ago that there is a mathematical joke to suit all occasions? At last, a sensible question:
A mathematician is tired of maths and decides to become a fireman. At the fire station they give him a test to check his suitability. He is told to imagine a skip full of combustible material, a hose and a tap and asked what he would do if the skip were on fire.
The mathematician replies, "Well, I put the hose on the tap, turn the water on, and put out the fire." Obviously that is the correct answer so they move on to the second question. The mathematician is asked what he would do if, on a fire inspection, he came across the same skip full of combustible material. "That's straightforward," he says " I would set fire to it."
This causes a certain amount of bewilderment so they ask him why. "Well," the mathematician replies, "that way I reduce the problem to one that I've already solved."
Fingers have been pointed at the lack of wargaming content hereabouts. The natural response to that would be to publish (yet) another post on some random other subject, but I shall not stoop to that. (Although stay tuned for an entirely non-wargaming Question and frankly not many Answers session tomorrow.) Instead, let us consider developments in what, you will recall, the Economist described as 'a good hobby for an anxious time'.
Well, and obviously, I haven't got any myself, otherwise I would have written about it already. In common with a number of other bloggers I posted to say that I had received my copy of 'Infamy, Infamy' and implied that I would try it out and/or review it and then post again. In common with many of those other bloggers, I haven't done either. I therefore broke my recent habit and bought a copy of the July/August issue of Wargames Soldiers and Strategy, which carries a review therein. I haven't read it yet, but when I do you know that you can rely on me to post about it here.
Not reading wargames magazines and the lack of shows to attend means that I am sadly off the pace in understanding what's hip and happening. It would be nice if I could rely on the blogs which I read to keep me abreast of things, but disappointingly they do tend to wander off topic rather a lot, writing about walking, swimming, cycling and suchlike nonsense. In any event, I was surprised, but intrigued, to come across a reference to Wofun Games. Firstly, that's a terrible name, and the full name - World of Fun Games - is even worse. However, I did find the concept interesting. What they do, as you probably already know, is produce plexiglass flats for a number of different periods. For at least some of those periods the figures are based on drawings from the range of Peter Dennis Paper Soldiers books published by Helion. It may be that, like me, you have looked at those books and asked yourself "Can I be arsed to photocopy, cut out and mount all these?" and then, also like me, replied in the negative. Well, now you don't have to, all you have to do is put your hand in your pocket. I confess to being tempted by one of the periods available, although not tempted enough to actually do anything about it.
A mere seven years ago, I heralded the imminent arrival of new set of rules for horse and musket sieges, called Vauban's Wars. Following an astonishingly short development programme they are to be published next month. I am quietly confident that a set will find its way to Ilkley, hypocentre of wargaming in the lower Wharfe valley, and the Peninsular war would appear to be an obvious setting for giving them a try. From what I have seen so far, I would imagine that there will be many elements which will be transferable to other periods. And, as regular readers will know, I have a shedload of equipment for medieval sieges. All I need is something to besiege.
Which seems an appropriate place to put a photo showing current progress on what is turning into the most expensive toy castle in the world. Spraying is slow at the moment, because being the English summer it rains most days. However, designs are in place for the castle which will sit in one corner of the town above (you can see one piece of wall towards the top right of the picture), so the project is still very much moving forward.
My absence from these pages has been primarily because I hurt my neck and sitting at the computer has been rather uncomfortable. In truth it has also been in part because nothing of interest has happened to me or indeed anywhere near me. However, I was awoken from my torpor today when the centre of town was suddenly sealed off by the police and several buildings evacuated. It turned out that someone had donated a hand grenade to Oxfam. As you do.
A better man than me could probably make a joke out of the fact that since shops are only accepting contactless payment at the moment, anyone who bought the grenade from Oxfam wouldn't need a PIN. However, until that better man comes along, we are left with the one about the mathematician being trained to use grenades. He was told to pull the pin and then count down from three before throwing it. It blew up when he reached minus six.
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| A little piece of Switzerland in Yorkshire |
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| This mask is not from Yorkshire |
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| What I would have been doing if not for Edouard |