I must mention the opening act, the New York Brass Band who were great fun in the style of the Hot 8 Brass Band so beloved of Craig Charles. The rumour is that Sir Van agreed to their supporting him because he believed them to be from Harlem. In fact the name signifies that they are from York and haven't been going very long. Morrison was, let's be blunt, as miserable as sin. But the same behaviour that in Eric Clapton a couple of years ago came across as rudeness and contempt for his audience, somehow seemed just acceptable idiosyncrasy here. It was glorious concert and I'd happily put up with the great man's indifference in return for the sound of his voice every time.
We were treated to many highlights from a great career: Moondance, Brown Eyed Girl, Bright Side of the Road, Whenever God Shines His Light etc. It was all most excellent. Astral Weeks is without doubt my favourite album; a phrase and concept that really date me. Whilst mostly a mystical album - once again we are speaking of Van Morrison here - it is also in part about the Belfast of his childhood. But what really for me has always set Morrision in his time and place is the paramilitary drumming on his 1964 garage rock standard Gloria. If ever there was a song designed for long extended versions it is this one, and it got it here as the last number/encore.
I for one have played Gloria, very badly, in several garages. My favourite non-Morrison version is probably that by Eddie and the Hot Rods, which appeared on their Live at the Marquee EP along with 96 Tears, Satisfaction and Get Out Of Denver. I have a feeling that I might have posted this before, but what the hell - it's brilliant. Get those chairs out of here!
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