The latest exhibition at the Henry Moore Institute is by the late Paul Neague and I have been along to view it and mock. Like all shows at the HMI - and modern art in general - it left me baffled. Having said that, I found the the largest sculpture on display, Nine Catalytic Stations, to be rather peaceful. I have no idea whether that's what the artist was going for, but that's how it struck me.
You talk like Marlene Dietrich |
I have also been to Leeds Civic Hall to see Agatha Christie's courtroom drama 'Witness for the Prosecution' performed in the round in the council chamber. The building was more fascinating than the play (it was obvious who'd done it from the off, the twists were unexpected because they were ludicrous and the actress playing Romaine was too young) and it was the first time that I had seen the ground floor. Opened by George V in the 1930s, it is very different to the 'epitome of Northern bombast' Leeds Town Hall which is eighty or so years older. Also interesting is the display of civic gifts received by Lord Mayors down the years. My eye was caught by that from the mayor of Ulan Bator, a rather fine statuette of a mongol warrior; I bet no one would have predicted the receipt and display of that object when the building was first conceived.
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